June 28, 2011 § Leave a comment
From the publication:
The July 1906 issue of National Geographic featured its first ever wildlife photographs. Editor Gil Grosvenor printed 74 photos snapped by U.S. Representative and early conservationist George Shiras, beginning a long tradition of featuring wildlife photos in the magazine.
May 6, 2011 § Leave a comment
For Brazilian architects, Angelo Bucci and Alvaro Puntoni, a site topographically unusual for its depression became more advantageous than problematic in relation to meeting the clients’ brief for a live/work environment. Utilising the abrupt drop in ground level, Bucci and Puntoni responded to the need for separatism of these two existential necessities by elevating the 3mW x 25mL tubular office area by two reinforced concrete supports, the only section visible at street level.
Connected to the office space by a steel bridge, but nestled below the street level, the two domestic storeys of the house in Carapicuíba, Brazil, lay in distinct, desired separation. But just as the site encourages this brief to be so surprisingly well-realised, so, too, does its geography allow for great incorporation of indoor and outdoor space. Woods, valley, gardens and pool surround the home storeys, merging with living spaces through sliding glass doors onto a terrace and patio. Similarly, the windows at either end of the office structure allow for a unique aerial viewpoint of the green spaces, thus offering further converging separatism within the property.
Working with the site’s geography and landscape, to allow its unusual topographical dictates govern the realisation of the project, has not only created distinct living and working environments and a merging of nature with structure, but has also meant simplicity of materials. Built from two material elements – concrete and glass – Bucci and Puntoni were less constrained by budget and more able to focus on the build itself. The result is exemplary of the great design and wellbeing that can and should be derived from environmental attentiveness.
Photography by Nelson Kon.