July 4, 2012 § Leave a comment
Recently released on the ever-pleasing Awkward Movements label is Semtek’s latest output, Bento. The London-based producer and founder of label Don’t Be Afraid has delivered another round of his idiosyncratic tech house sound with this anticipated track.
Accompanying Semtek’s release is Scott Fraser’s Decompression Dub remix, which sees the producer end his hiatus with the kind of audio assault that’s so deliciously relentless as to make us truly thankful he did. Pushing a near-obscene level of gratuitous bass, this stand-alone variation sees the Wave/Black Nation artist return in stellar sonic form.
Shamelessly filthy and yours to download now at Juno.
May 29, 2012 § 2 Comments
Beauty of whatever kind, in its supreme development, invariably excites the sensitive soul to tears – Edgar Allan Poe.
And so it is that this video from French record label and digital art-mongerers, Stellar Kinematics, caused me to have the tears pertaining to that which I find beautiful. This clip is raw from Camera E-8 on the launch umbilical tower/mobile launch program of Apollo 11, July 16, 1969. This is an HD transfer from the 16mm original. More at http://www.spacecraftfilms.com/. Music by Dusty Brown – This City Is Killing Me.
Free download of Dusty Brown’s This City Is Killing Me EP available on their website, http://www.dustybrown.com/
You might also like…to play and download this Stellar Kinematics release by Playground.
September 1, 2011 § Leave a comment
June 28, 2011 § Leave a comment
From the publication:
The July 1906 issue of National Geographic featured its first ever wildlife photographs. Editor Gil Grosvenor printed 74 photos snapped by U.S. Representative and early conservationist George Shiras, beginning a long tradition of featuring wildlife photos in the magazine.
May 26, 2011 § Leave a comment
Decay, dilapidation, demolition.
Lately, my life has been overtaken by, and forcibly devoted to, the annual ballache that is flat-hunting. Annual in regularity is this event because of the perpetual trap of too many dictatorial constraints, all of which filter through from the all-pervasive annoyance known to far too many UK-dwellers as overpriced housing and insufficient funds. The chasmic disparity between these two factors is, of course, amplified in London, where I find myself once again in the daily-escalating panic to find anything that’ll vaguely do simply because it’s next to impossible to secure a London home once you’ve had to leave the capital. And so it goes on.
Anyway, I was remembering Mordant Music‘s 2010 collaboration with the BFI on the DVD MisinforMation, of which the above section A Double Room In A Single Bed forms part. With its 1970 Ideal Homes images set to a sampling of 1983’s Tackling Priority Estates, the juxtaposition of promise and consequent reality seemed rather fitting. This is, of course, a vast subject that could and should be examined further, but that’s a whole other show. For today, a topical illustration of how it feels to be faced with paying £270-per-week for a tiny shithole of a one-bedroom flat. A flat with three different types of mismatched, 20-year-old-looking, Holiday Inn-style carpeting in an area so unsavoury I’d not be able to go round the corner for a pint of milk in the daytime without the greatest concerns I’d likely get raped, murdered and raped again. At a cost of £270 every week. Hopeless and utterly disillusioning is how it feels.